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Velcro, La Fonda and Timmy!
I found this old record, and was going to blog about it a bit ago and decided to post it today. Enjoy the sounds of the 70's ladies and gents, this group is going to be BIG!
for all of our friends that have known, and loved the STEVE,
"SEND BAD MOJO to all theives!"
I have spent the past several weeks thinking about my creative future. It has been a full year since I started my bag business, and as much fun as it has been, I am ready to throw in the towel.
WHAT? You’re never going to make another bag?
NO. I just don’t want to focus on them anymore. I am tired of straps and pockets and linings. Bags just aren’t my bag. Never were. They were just a quick way to accessorize a dull wardrobe. And that is how it all began.
For those of you who don’t know the tale on how I stared sewing, and bagging, here you go:
It was 1998 and I was living in Chicago, off the Blue Line California stop with my boyfriend Putz. No, wait. I know I usually give aliases to protect the identities of those I write about, but I’m not even going to do that for Putz, oh yeah, his name is Greg Thorpe. Of the Cincinnati Thorpe’s. Anyhow, it was Christmas time, and instead of getting a traditional tree, I had to have a Christmas Ficus. But instead of calling it a Christmas Ficus, I would say it real fast so it sounded more like Christmas FUCK-A. Those were the days.
Under the FUCK-A that year, my mother got me a sewing machine. Actually she got me a phone call, of which I took my name down to the local Sears and picked up my machine, and THEN I placed it under the FUCK-A. (This is a beautiful option for buying gifts for loved ones who are far away. I just walked into Sears and they gave me my machine. Wham. Bam. Thank you MOM).
Growing up, my mom always sewed. Every pre-teen Halloween costume. (She won’t let me live down the bunny costume of 83. She claims she was snorting foux Peter Cottontail for weeks. I ended up wearing the damn thing till it was more like bunny-knickers). Every special occasion dress, from prom to my stint with pageantry, she sewed. I designed. She sewed.
I never watched her during these sewing bouts. I just picked out the fabric and pattern and that was it. Occasionally, when I wasn’t screaming at her, I helped cut out the pattern and help pin, which to this day is still her least favorite part of sewing. But I never actually sewed. So when I brought my Sears machine home and took it out of its microwave sized box, I had no idea of what to do.
Greg “the putz” Thorpe and I didn’t have any furniture for me to set up my machine on. We had a kitchen table, but no chairs. We had a couch, but no coffee table. We had a desk, but that was for Putzie’s computer, not, gasp, for a sewing machine! I set up on the floor, brought out some old items of clothing, cut them up with kitchen shears and tried to make a straight line.
Fast forward to fall of 1999.
This here blog is dedicated to one of the babiest babes around, Union Jackie. “Why dedicate this to miss Union Jackie?” Well because this past weekend Union Jackie announced that she just jumped on the HOT MAMA bus, destination BabyVille! YEAH.
So let us tip our hats and clink our glasses to Union Jackie and her husband DeWalt.
I have compiled a list of all that is wonderful to come!
Booties.
Pimp new rides.
Fine French Undergarments.
More nipples than you can shake a stick at.
Poo Poo platters
And, of course The best sitters in town!
Our coaster went off and we were lead through a maze of dining rooms, each packed with tables, anchors and diners. We were lead to a comfy booth and handed four menus. Levi our server led us through a whirlwind of choices. Opening the first menu and showing us the specials he tempted our taste buds with all of the succulent choices. Chaz asked Levi his opinion between two different appetizers, the Ultimate Fondue or the Artichoke crab dip. Turns out, LEVI can’t eat shellfish. Now how the fuck does that happen? You don’t see Drylids working at a Peanut Factory, or Britney giving haircuts at the local Cattery do you?
Would I go back? Heck yes. Was it delicious? It was everything I thought it would be. Would I order the same thing? Not on your life. Do I dream about cheesy biscuits every damn day? HECK YES I DO. All I can say is that I can not wait till LOBSTER FEST! BRING IT ON BITCHES, BRING IT ON!
*Prices higher in Times Square and Hawaii.
Brit and I met while on the job. I won’t call it work, because it wasn’t. We sold high end Italian Ceramics. We couldn’t afford the ceramics we sold. Richies would come in and ask us stupid ass questions like “what pattern do you own?” (We made close to minimum wage. We couldn’t afford a $22 coffee mug.) So, I would lie. Every day I owned a new imported Italian ceramic design. Brit didn’t lie about it. “I have one of those.” She would point to the pattern of which she bought a chipped coffee mug from the damaged/sale table the week before. Brit is good like that. She won’t lie to make other people money.
At first the owners, who looked a bit like this:
Would keep us separated. Brit would be on duvet duty on the second floor. Duvet duty consisted of changing out the bed linens on the six plus beds that were located upstairs. Each bed had to be stripped from its décor, listed from bottom to top:
1) Dust ruffle
2) Fitted sheet
3) Top sheet
4) Duvet cover
5) Coverlet
6) 2 standard pillows
7) 2-3 Euro shams
8) 2-3 small throws
Each one of these items had to be taken off of the bed or removed from the insert and re folded into its original plastic-zip-protector baggie to look as if it had never graced a floor sample. YEAH, do that six times over and you might think that you are losing your mind. “Oh, but it sounds so easy!” you say. Well un-making and re-making a bed on the second floor of a non-air conditioned building in the middle of summer is like taking a Total Body Challenge at the Sahara. No, it is like doing the Iron Man Challenge in August at Vegas. No, it is like being Oprah’s bra while she is frantically shopping for high-end Italian leather handbags.
Anyhow, that is how the owners, would keep us separated. This “second-floor-switch-a-roo” only worked until noon, when the oldest owner would leave after having a glass or two of wine to head home to get her crunk on. Her daughter would file out shortly there after citing “lunch with friends” or “big boot sale” or “I’ve got a pot of chili going on the stove.”
“Can you gals close up shop?”
“Heck yes we can!” A sly nod between the two of us. Once the cat was away, BOOYA. Brit and I would break out the martinis and pretend to dust the ceramics until closing time a six.
All in all it was pretty coosh. The two owners were manic, on one emotional plateau one minute and then flying to another the next. We worked with a few crazy rich teenagers who were friends of the owner’s family. They were fun to watch come into work every day in a “crisis.” (MY HAIR, MY FRIENDS, MY TRIP TO MIKINOS!) Brit and I would nod, look at each other and nod again.
“Fucking rich whores!”
Those were good times. Brit and I became great friends. If we had never worked there we would have never met, and I would be so sad if we had never met. Even though I wouldn’t have known that you were out there, I would have had a hallow place in my life, where you should be. Brit, I love you. We all want you to be the happy, linen folding, martini sippin girl, with your Jerry Garcia past. Don’t let the world hit you too fast and make you change. Take a moment each day to remember what has come before. Dieci Soli.
The “Lady” and the “Gent” (which they will be referred to from here on out) file in line ahead of me, and agree to be my buddies while Sock Monkey leaves me and heads off to work. I have already gained two friends and it is only 8:00 in the morning! I am pretty sweaty at this point from all of the huffing around carrying my garment bag, a satchel, my clutch and a cup of joe, so standing in the sun becomes a nice rest bit.
The line begins to grow. Designers begin to file in line behind me, wrapping around the building. A beautiful lady from Kentucky is standing behind me and we chit chat. She has on a lovely orange suit jacket, and we thank our lucky stars that the sun is out to keep us warm.
Volunteers come thru and hand out wavers for those designers that have models. They take our pictures with a Polaroid which we staple to the outside of our 24 page application with our number. I was #71. The Gent #70. Miss Kentucky #72. Things are moving along, but the line isn’t. It is building its way around the building. #70 and I get to talking. He graduated from the School of the Art Institute of Chicago and now is working in fashion. #69 (who becomes one of the dopple-ganger three), also attended SAIC the same time that I did, and we gossip about people that we both knew, and people that we both despised. Things are still going well, and the line isn’t moving.
(#69, the Lady & #70)
It is past 10:00am. The sun disappears. It gets down right COLD. But we keep chit-chatting and being catty to keep ourselves in high spirits. (Believe you me, there was so much eye candy to be catty about, from garments to really bad trannies, I really should have taken more photos). We are freezing. Miss Kentucky’s lips are turning blue. We get word that the line of designers is mounting to around 140.
11:00am. We are still standing outside. Gent #70, tells us that he tried out last year in Huston. There are three initial screening stages:
First: A producer walks around and asks you questions.
Second: A couple producers take a look at your portfolio/garments.
Third: The judges. (the rumor mill has pegged Nick, from season two, as this year’s judge.
Noon. It is down right FREEZING. And we are hungry. True fashion martyrs. We are all just waiting to make it to the heated, but still outside Valet tent, in which we will be questioned. Every time the sun comes out we run to find it, trying to warm our bones. #69, a younger looking version, but just as cute, of Nick, and I head to the front lawn, where some sun is scattering across the grass. He points out those in line he knows. Those who are doushbags. When one approaches.
“HEY! OH MY GOD, I haven’t seen you in, like years. I have been wrapped up in a crazy life. After school I got an internship in New York with Donna Karen. Then I moved to Paris where I was sewing for (fill in fancy designer here). I then moved back, hoping to use all of my FABULOUS skills and everyone I interviewed with told me I had TOO much talent, and was terribly over QULIFIED! So guess what I am doing now? Besides standing here in my FABULOUS PRADA shoes and (fancy designer) jacket? I am sewing band uniforms in Minnesota! CAN YOU BELIVE IT!?!” – we will call him “Frenchie” finally leaves, after much gagging from #70 and I.
Finally we make it to the semi heated carport! HELL YEAH! It is like 10-20 degrees warmer, and there are places to sit! It is like heaven. The Lady is kind enough to grab us some snacks to appease our gurgling tummies. The producer makes his round, asking us all questions and writing our names on a clipboard. His real name is Michael, and looks like Jered Letto, only BETTER.
“How are you today?”
“Why did you come out?”
“What makes your designs different?”
“Did you go to school for design?”
We then are left to wait some more. Turns out they go to lunch. Hey, at least we are in the tent. My team (#69, #70 & the Lady) decide, no matter how far each of us get, that after we will wait for each other at the “W” bar and grab a cocktail.
3:00pm. Somehow, #69 & #70 get ushered in without me and I am left to stand outside and wait. My number gets called. A producer tells me to wait to the side, and they grab #71 and #72 to go in ahead of me. They then take me in to wait with a group that is heading up an elevator to get judged by the panel. I skip the portfolio review and hop onto the elevator with the group, which contains my gang #69 & #70. While riding the elevator a producer tells us:
“Turn all cell-phones off. They are filming. They can hear all of the noises we make, so you need to be as quite as possible. There are racks of hangers when we get off the elevator. You need to hang your garments up and sit in the order of your numbers. Wear only what you want to be seen in, so if you want to take of your jackets, now would be the time. Sit and wait in number order to be miked up. The judging panel can take 2 minutes or it can take 20, so be prepared.”
BAM. We were off the elevator. Hanging garments. Taking off jackets. Sitting in Order. Getting miked up. Grabbing our garments. Waiting two by two to enter the room of judges. You can here them inside. You can here Tim Gunn making comments and people laughing. #69 goes in first. Then #70. It is my TURN! OH MY GOD IT IS MY TURN!
I walk in, past the garment rack. Hang my three garments and look up. Sitting at a 8”, white clothed table are the panel. A female producer, TIM GUNN, NICK and another female producer. I set my portfolio in front of Tim and head to the X on the floor where I was told to stand.
Tim: “How are you, Michelle?”
M: “Sweaty! I hope you can’t smell me from there!”
All: Laughter “We are too!”
Tim: “So you flew all the way here from Portland?”
M: “I used to live here and have some retailers here in Chicago, so I thought it was a good place to try out, mixing business with pleasure.”
Tim: “What type of retailers?”
M: “I make handbags.”
Producer: “Do you do that full time?”
M: “No, I supplement my income in the wine industry.”
Tim: “What makes you think you have what it takes to be on Project Runway?”
M: “Besides my sparkling personality?”
All: Laughter, making cute faces……
I begin to describe my design aesthetic and what I have to offer. During this speech, Tim is flipping thru my portfolio and sliding it across the table to one of the producers. The other two just are staring at me. I finish my speech. Tim looks up at my garments on the rack (which are 10 feet away from the judging panel I might add) and says:
Tim: “I just don’t think that you are what we are looking for.”
Each producer and Nick file in tune: “Yeah, not quite what we are looking for.”
M: “Alright. Alright.” I pull down the dress from the rack and say “even though I have a matching handbag for my dress, I mean, it is just TACKILY WONDERFUL don’t you think?”
All: Laughter.
Nick: “You do have a wonderful personality. Keep up the good work.”
FIN.
Side note: Isn't that what they say about ugly girls?